Acta Psychologica Sinica ›› 2024, Vol. 56 ›› Issue (11): 1604-1618.doi: 10.3724/SP.J.1041.2024.01604
• Reports of Empirical Studies • Previous Articles Next Articles
HUANG Yunhui, XIAO Youkai, CHU Xing-Yu (Marcos)(), LU Yue
Published:
2024-11-25
Online:
2024-09-05
Contact:
CHU Xing-Yu (Marcos)
E-mail:marcoschu@nju.edu.cn
HUANG Yunhui, XIAO Youkai, CHU Xing-Yu (Marcos), LU Yue. (2024). Semantic versus Homophonic Puns: The Match Between Brand Personality and Pun Types in Advertisements. Acta Psychologica Sinica, 56(11), 1604-1618.
Studies | Design | Product |
---|---|---|
Study 1A | 2 (Brand Personality: Sophistication vs. Sincerity) between-subjects design (N = 200). | Eyeliner. |
Study 1B | 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 200). | Ice cream. |
Study 2 | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 238). | Vacuum Cleaner. |
Study 3A | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 145,983). | Beauty Product. |
Study 3B | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 78,639). | Pillow. |
Study 4 | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Altering the link of “Brand Personality-Complexity”: Present vs. Absent) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 400). | Beauty Product. |
Table 1 Summary of studies
Studies | Design | Product |
---|---|---|
Study 1A | 2 (Brand Personality: Sophistication vs. Sincerity) between-subjects design (N = 200). | Eyeliner. |
Study 1B | 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 200). | Ice cream. |
Study 2 | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 238). | Vacuum Cleaner. |
Study 3A | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 145,983). | Beauty Product. |
Study 3B | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 78,639). | Pillow. |
Study 4 | 2 (Brand Personality: Sophistication vs. Sincerity) × 2 (Altering the link of “Brand Personality-Complexity”: Present vs. Absent) × 2 (Pun Type: Semantic vs. Homophonic) between-subjects design (N = 400). | Beauty Product. |
Study | Pun Type | Processing Complexity | Perceived Effort | ||
---|---|---|---|---|---|
M | SD | M | SD | ||
Study 1A | Semantic | 3.31 | 1.60 | 4.77 | 1.45 |
Homophonic | 2.40 | 1.36 | 4.98 | 1.32 | |
Study 1B | Semantic | 2.33 | 1.34 | 4.43 | 1.47 |
Homophonic | 2.22 | 1.26 | 4.84 | 1.28 | |
Study 2 | Semantic | 2.50 | 1.38 | 4.69 | 1.25 |
Homophonic | 2.16 | 1.09 | 5.04 | 1.10 | |
Studies 3A & 4 | Semantic | 3.44 | 1.58 | 4.63 | 1.34 |
Homophonic | 1.81 | 0.93 | 4.55 | 1.44 | |
Study 3B | Semantic | 3.28 | 1.68 | 4.73 | 1.35 |
Homophonic | 2.77 | 1.36 | 5.13 | 1.14 |
Table 2 The influence of pun type on perceived complexity and perceived effort
Study | Pun Type | Processing Complexity | Perceived Effort | ||
---|---|---|---|---|---|
M | SD | M | SD | ||
Study 1A | Semantic | 3.31 | 1.60 | 4.77 | 1.45 |
Homophonic | 2.40 | 1.36 | 4.98 | 1.32 | |
Study 1B | Semantic | 2.33 | 1.34 | 4.43 | 1.47 |
Homophonic | 2.22 | 1.26 | 4.84 | 1.28 | |
Study 2 | Semantic | 2.50 | 1.38 | 4.69 | 1.25 |
Homophonic | 2.16 | 1.09 | 5.04 | 1.10 | |
Studies 3A & 4 | Semantic | 3.44 | 1.58 | 4.63 | 1.34 |
Homophonic | 1.81 | 0.93 | 4.55 | 1.44 | |
Study 3B | Semantic | 3.28 | 1.68 | 4.73 | 1.35 |
Homophonic | 2.77 | 1.36 | 5.13 | 1.14 |
Sophisticated brand | Sincere brand |
---|---|
Line Company produces and sells various eyeliners using superior cosmetic manufacturing processes. Each eyeliner is made from high- quality selected materials, with a gentle and non-irritating formula. The colors are rich, waterproof, and non-smudging. This is why the Line brand is considered noble and charming. | Line Company produces and sells various eyeliners using natural cosmetic manufacturing processes. Each eyeliner is made from safe, edible materials, with a gentle and non-irritating formula. The colors are natural, waterproof, and non- smudging. This is why the Line brand is considered practical, honest, and positive. |
Table 3 The description of brand personality in Study 1A
Sophisticated brand | Sincere brand |
---|---|
Line Company produces and sells various eyeliners using superior cosmetic manufacturing processes. Each eyeliner is made from high- quality selected materials, with a gentle and non-irritating formula. The colors are rich, waterproof, and non-smudging. This is why the Line brand is considered noble and charming. | Line Company produces and sells various eyeliners using natural cosmetic manufacturing processes. Each eyeliner is made from safe, edible materials, with a gentle and non-irritating formula. The colors are natural, waterproof, and non- smudging. This is why the Line brand is considered practical, honest, and positive. |
Sophisticated Brand | Sincere Brand |
---|---|
Sparify is a home appliance brand designed for sophisticated living, with the slogan 'Make Life More Elegant.' The product design is sophisticated and elegant, striving for perfection and conveying the charm of sophistication. | Sparify is a home appliance brand designed for sincere living, with the slogan 'Make Life More Sincere.' The product design is thoughtful and considerate, striving to touch people's hearts and convey a sense of health and happiness. |
Table 4 The descriptions of brand personality in Study 2
Sophisticated Brand | Sincere Brand |
---|---|
Sparify is a home appliance brand designed for sophisticated living, with the slogan 'Make Life More Elegant.' The product design is sophisticated and elegant, striving for perfection and conveying the charm of sophistication. | Sparify is a home appliance brand designed for sincere living, with the slogan 'Make Life More Sincere.' The product design is thoughtful and considerate, striving to touch people's hearts and convey a sense of health and happiness. |
Brand | Semantic pun | Homophonic pun |
---|---|---|
Sophisticated brand | Title:告别“粉饰”, 祛痘无痕 Body: Exquisite collection, nourishing skincare! Top-selling beauty products at a discount, start your sophisticated moment>> | Title:战“痘”精华, 祛痘无痕 Body: Exquisite collection, nourishing skincare! Top- selling beauty products at a discount, start your sophisticated moment>> |
Sincere brand | Title: 告别“粉饰”, 祛痘无痕 Body: Sincere companionship, refreshing hydration! Top-selling beauty products at a discount, start your sincere moment>> | Title: 战“痘”精华, 祛痘无痕 Body: Sincere companionship, refreshing hydration! Top-selling beauty products at a discount, start your sincere moment>> |
Table 5 Advertisement descriptions in Study 3A
Brand | Semantic pun | Homophonic pun |
---|---|---|
Sophisticated brand | Title:告别“粉饰”, 祛痘无痕 Body: Exquisite collection, nourishing skincare! Top-selling beauty products at a discount, start your sophisticated moment>> | Title:战“痘”精华, 祛痘无痕 Body: Exquisite collection, nourishing skincare! Top- selling beauty products at a discount, start your sophisticated moment>> |
Sincere brand | Title: 告别“粉饰”, 祛痘无痕 Body: Sincere companionship, refreshing hydration! Top-selling beauty products at a discount, start your sincere moment>> | Title: 战“痘”精华, 祛痘无痕 Body: Sincere companionship, refreshing hydration! Top-selling beauty products at a discount, start your sincere moment>> |
Brand | Semantic pun | Homophonic pun |
---|---|---|
Sophisticated brand | Title: Exquisite Collection, Luxurious Enjoyment Body: “实现睡眠‘梦想’ ”! Premium home decor season, click to start your sophisticated moment>>> | Title: Exquisite Collection, Luxurious Enjoyment Body: “全‘芯’睡眠体验”! Premium home decor season, click to start your sophisticated moment>>> |
Sincere brand | Title: Sincere Companionship, Pleasant Experience Body: “实现睡眠‘梦想’ ”! Premium home decor season, click to start your sincere moment>>> | Title: Sincere Companionship, Pleasant Experience Body: “全‘芯’睡眠体验”! Premium home decor season, click to start your sincere moment>>> |
Table 6 Advertisement in Study 3B
Brand | Semantic pun | Homophonic pun |
---|---|---|
Sophisticated brand | Title: Exquisite Collection, Luxurious Enjoyment Body: “实现睡眠‘梦想’ ”! Premium home decor season, click to start your sophisticated moment>>> | Title: Exquisite Collection, Luxurious Enjoyment Body: “全‘芯’睡眠体验”! Premium home decor season, click to start your sophisticated moment>>> |
Sincere brand | Title: Sincere Companionship, Pleasant Experience Body: “实现睡眠‘梦想’ ”! Premium home decor season, click to start your sincere moment>>> | Title: Sincere Companionship, Pleasant Experience Body: “全‘芯’睡眠体验”! Premium home decor season, click to start your sincere moment>>> |
Group | Sophisticated Brand | Sincere Brand |
---|---|---|
Control | Describe your most recent shopping experience, such as the products and brands involved, and your opinions about these brands. | |
Altering the link of “brand personality-complexity” | Sophistication can sometimes be simple. Noble and charming things can be presented in a simple form. For example, luxury brand Burberry uses a simple checkered pattern to convey sophistication and luxury. Based on the reading above, please give an example of a brand that fits this description and briefly describe your impression. | Sincerity can sometimes be complex. Practical and honest things can be presented in a complex form. For example, the popular brand Uniqlo offers various products, reflecting a practical attitude through complexity. Based on the reading above, please give an example of a brand that fits this description and briefly describe your impression. |
Table 7 Writing tasks in Study 4
Group | Sophisticated Brand | Sincere Brand |
---|---|---|
Control | Describe your most recent shopping experience, such as the products and brands involved, and your opinions about these brands. | |
Altering the link of “brand personality-complexity” | Sophistication can sometimes be simple. Noble and charming things can be presented in a simple form. For example, luxury brand Burberry uses a simple checkered pattern to convey sophistication and luxury. Based on the reading above, please give an example of a brand that fits this description and briefly describe your impression. | Sincerity can sometimes be complex. Practical and honest things can be presented in a complex form. For example, the popular brand Uniqlo offers various products, reflecting a practical attitude through complexity. Based on the reading above, please give an example of a brand that fits this description and briefly describe your impression. |
[1] | Aaker D. A. (1996). Measuring brand equity across products and markets. California Management Review, 38(3), 102-120. |
[2] | Aaker J. L. (1997). Dimensions of brand personality. Journal of Marketing Research, 34(3), 347-356. |
[3] | Abass F. (2007). The use of puns in advertising. Language and Culture, 43(16), 45-62. |
[4] | Affonso F. M., & Janiszewski C. (2023). Marketing by design: The influence of perceptual structure on brand performance. Journal of Marketing, 87(5), 736-754. |
[5] | Brasel S. A., & Hagtvedt H. (2016). Living brands: Consumer responses to animated brand logos. Journal of the Academy of Marketing Science, 44, 639-653. |
[6] | Cai F. Y., Shen H., & Hui M. K. (2012). The effect of location on price estimation: Understanding number-location and number- order associations. Journal of Marketing Research, 49(5), 718-724. |
[7] | Cascio Rizzo G. L., Villarroel Ordenes F., Pozharliev R., De Angelis M., & Costabile M. (2023). How high-arousal language shapes micro-versus macro-influencers’ impact. Journal of Marketing, 88(4), 107-128. |
[8] | Chen J. X., & Chen Y. H. (2019). A look into the rendered puns in Hong Lou meng. Shanghai Journal of Translators, (6), 62-68. |
[9] | Chen Y. (2007). Analysis of cognitive features of puns (translate). Nanjing Journal of Social Sciences, (12), 135-139. |
[10] | Chen Z. X., He Y., Li X., & Wang L. (2022). Can you perceive my efforts? The impact of social status on consumers' preferences for complexity. Acta Psychologica Sinica, 54(9), 1106-1121. |
[11] | Divya A., & Ani T. (2021). Identification and evaluation of homographic puns using similarity methods. International Journal of Applied Evolutionary Computation, 12(1), 18-26. |
[12] | Djafarova E. (2008). Why do advertisers use puns? A linguistic perspective. Journal of Advertising Research, 48(2), 267-275. |
[13] |
Favier M., Celhay F., & Pantin-Sohier G. (2019). Is less more or a bore? Package design simplicity and brand perception: An application to champagne. Journal of Retailing and Consumer Services, 46, 11-20.
doi: 10.1016/j.jretconser.2018.09.013 |
[14] | Gan X. (2015). A study of the humor aspect of English puns: Views from the relevance theory. Theory and Practice in Language Studies, 5(6), 1211-1215. |
[15] | Garver E. (1994). Aristotle's rhetoric: An art of character. University of Chicago press. |
[16] | Giorgadze M. (2014). Linguistic features of pun, its typology and classification. European Scientific Journal, 10(2), 271-275. |
[17] | Grant P., & Jonah A. B. (2024). The emergence and evolution of consumer language research. Journal of Consumer Research, 51(1), 42-51. |
[18] | Hodges B. T., Estes Z., & Warren C. (2024). Intel inside: The linguistic properties of effective slogans. Journal of Consumer Research, 50(5), 865-886. |
[19] | Hughes C., Swaminathan V., & Brooks G. (2019). Driving brand engagement through online social influencers: An empirical investigation of sponsored blogging campaigns. Journal of Marketing, 83(5), 78-96. |
[20] | Johar G. V., Sengupta J., & Aaker J. L. (2005). Two roads to updating brand personality impressions: Trait versus evaluative inferencing. Journal of Marketing Research, 42(4), 458-469. |
[21] | Jones N., Kidwell B., & Hamby A. (2024). Success is not final; failure is not fatal: How failure versus success messaging leads to preference for masculine brands. Journal of Marketing Research, 61(2), 330-348. |
[22] |
Kutas M., & Hillyard S. A. (1980). Reading senseless sentences: Brain potentials reflect semantic incongruity. Science, 207(4427), 203-205.
doi: 10.1126/science.7350657 pmid: 7350657 |
[23] | Lee A. Y., & Labroo A. A. (2004). The effect of conceptual and perceptual fluency on brand evaluation. Journal of Marketing Research, 41(2), 151-165. |
[24] | Leung E., Lenoir A. S., Puntoni S., & van Osselaer S. M. (2023). Consumer preference for formal address and informal address from warm brands and competent brands. Journal of Consumer Psychology, 33(3), 546-560. |
[25] | Li J. L. (2021). Household appliance industry: Understanding the competition landscape of clean appliances from the dimensions of category and brand (translate). Sinolink Securities. https://pdf.dfcfw.com/pdf/H3_AP202110251524837081_1.pdf |
[26] |
Luffarelli J., Stamatogiannakis A., & Yang H. (2019). The visual asymmetry effect: An interplay of logo design and brand personality on brand equity. Journal of Marketing Research, 56(1), 89-103.
doi: 10.1177/0022243718820548 |
[27] | Maehle N., Otnes C., & Supphellen M. (2011). Consumers' perceptions of the dimensions of brand personality. Journal of Consumer Behaviour, 10(5), 290-303. |
[28] | McQuarrie E. F., & Mick D. G. (1996). Figures of rhetoric in advertising language. Journal of Consumer Research, 22(4), 424-438. |
[29] | Partington A. S. (2008). A linguistic account of wordplay: The lexical grammar of punning. Journal of Pragmatics, 41(9), 1794-1809. |
[30] | Pogacar R., Shrum L. J., & Lowrey T. M. (2018). The effects of linguistic devices on consumer information processing and persuasion: A language complexity × processing mode framework. Journal of Consumer Psychology, 28(4), 689-711. |
[31] | Putrevu S., Tan J., & Lord K. R. (2004). Consumer responses to complex advertisements: The moderating role of need for cognition, knowledge, and gender. Journal of Current Issues & Research in Advertising, 26(1), 9-24. |
[32] | Sundar A., & Noseworthy T. J. (2016). Too exciting to fail, too sincere to succeed: The effects of brand personality on sensory disconfirmation. Journal of Consumer Research, 43(1), 44-67. |
[33] | Sung Y., & Kim J. (2010). Effects of brand personality on brand trust and brand affect. Psychology & Marketing, 27(7), 639-661. |
[34] | Tanaka K. (1992). The pun in advertising: A pragmatic approach. Lingua, 87(1-2), 91-102. |
[35] | Teeny J. D., Siev J. J., Briñol P., & Petty R. E. (2020). A review and conceptual framework for understanding personalized matching effects in persuasion. Journal of Consumer Psychology, 31(2), 382-414. |
[36] | Toncar M., & Munch J. (2001). Consumer responses to tropes in print advertising. Journal of Advertising, 30(1), 55-65. |
[37] | Torp S. M., & Andersen L. P. (2018). Marketing rhetoric and the rhetoric of marketing: Manipulation or mutuality. In Øyvind Ihlen, & Robert L. Heath (Eds.), The handbook of organizational rhetoric and communication (pp. 67-80). John Wiley & Sons, Inc. |
[38] |
Touré-Tillery M., & Fishbach A. (2017). Too far to help: The effect of perceived distance on the expected impact and likelihood of charitable action. Journal of Personality and Social Psychology, 112(6), 860-876.
doi: 10.1037/pspi0000089 pmid: 28253000 |
[39] | Wang X., & Yang Z. (2008). Does country-of-origin matter in the relationship between brand personality and purchase intention in emerging economies? Evidence from China's auto industry. International Marketing Review, 25(4), 458-474. |
[40] | Wei X., Tu R. T., Jiang M. H., & Li F. (2011). The perception of the authenticity of other consumers’ usages of luxury goods. Journal of Marketing Science, 7(2), 45-66. |
[41] | Xie Y., & Peng S. Q. (2012). The effect of brand personality on purchase intention: A comparison across different industries and between local and international brands. Management Review, 24(12), 84-92. |
[42] | Xue B., & Li Y. E. (2000). On the pragmatic and aesthetic perspectives of advertising puns. Foreign Languages and Their Teaching, (6), 35-36. |
[43] | Yan A. M., Chen S., & Cheng Y. Y. (2009). The influence of Chinese values on luxury purchasing motivation. Chinese Journal of Management, 6(6), 812-817. |
[44] | Yang S. Q., Xu W. Y., Jiang M. H., & Zhang X. C. (2020). The difference of cognitive processing between phonetic puns and semantic puns in Chinese: An ERP evidence. Journal of Chinese Information Processing, 34(1), 1-9. |
[45] | Zhao Y. (2007). Conceptual blending analysis of advertisement pun. Journal of Hunan University of Science and Engineering, 28(2), 129-132. |
[1] | CHEN Peiqi, ZHANG Yinling, HU Xinmu, WANG Jing, MAI Xiaoqin. The effect of social value orientation on third-party altruistic behaviors in children aged 10-12 years: The role of emotion [J]. Acta Psychologica Sinica, 2023, 55(8): 1255-1269. |
[2] | FU Bo, PENG Jian, LIANG Xiaojie, CHEN Lifang, YU Guilan. Reinforcement and extinction of unethical pro-supervisor behavior: Based on the perspective of supervisor response [J]. Acta Psychologica Sinica, 2023, 55(5): 844-860. |
[3] | XU Liying, YU Feng, PENG Kaiping. Algorithmic discrimination causes less desire for moral punishment than human discrimination [J]. Acta Psychologica Sinica, 2022, 54(9): 1076-1092. |
[4] | YANG Shasha, CHEN Sijing. Normative misperception in third-party punishment: An explanation from the perspective of belief in a just world [J]. Acta Psychologica Sinica, 2022, 54(3): 281-299. |
[5] | CHEN Sijing, YANG Shasha, WANG Hao, WAN Fenghua. Subjective social class positively predicts altruistic punishment [J]. Acta Psychologica Sinica, 2022, 54(12): 1548-1561. |
[6] | CHEN Sijing, XING Yilin, WENG Yijing, LI Chang. Spillover effects of third-party punishment on cooperation: A norm-based explanation [J]. Acta Psychologica Sinica, 2021, 53(7): 758-772. |
[7] | Zhenzhong ZHU,Fu LIU,Chen Haipeng (Allan). Warmth or competence? The influence of advertising appeal and self-construal on consumer-brand identification and purchase intention [J]. Acta Psychologica Sinica, 2020, 52(3): 357-370. |
[8] | CHEN Sijing, XU Yechao. Warmth and competence: Impact of third-party punishment on punishers’ reputation [J]. Acta Psychologica Sinica, 2020, 52(12): 1436-1451. |
[9] | ZHU Zhenzhong, LI Xiaojun, LIU Fu, Haipeng CHEN. How visual novelty affects consumer purchase intention: The moderating effects of self-construal and product type [J]. Acta Psychologica Sinica, 2020, 52(11): 1352-1364. |
[10] | ZHANG Ruqian, LIU Jieqiong, LI Xianchun. Neural mechanisms of fairness formation in the perspective of social interactions [J]. Acta Psychologica Sinica, 2019, 51(9): 1007-1017. |
[11] | YIN Xile, LI Jianbiao, CHEN Siyu, LIU Xiaoli, HAO Jie. Neural mechanisms of third-party punishment: Evidence from transcranial direct current stimulation [J]. Acta Psychologica Sinica, 2019, 51(5): 571-583. |
[12] | ZHANG Kuo, ZHAO Ying, WANG Jingxin, . Optimization and asymmetry effects of reward and punishment on control attention: Evidence from eye movements [J]. Acta Psychologica Sinica, 2019, 51(11): 1207-1219. |
[13] | LI Xiao-dan,DING Dao-qun,YE Hao-sheng. The influence of embodied implicit power on fair decision making [J]. Acta Psychologica Sinica, 2019, 51(1): 106-116. |
[14] | ZHANG Shuwei. Social justice, institutional trust and public cooperation intention [J]. Acta Psychologica Sinica, 2017, 49(6): 794-813. |
[15] | HUANG Minxue; WANG Yiting; LIAO Junyun; LIU Maohong. Mixed effects of inconsistent reviews on consumers: The moderating roles of product attributes and regulatory focus [J]. Acta Psychologica Sinica, 2017, 49(3): 370-382. |
Viewed | ||||||
Full text |
|
|||||
Abstract |
|
|||||